![]() ![]() The monophonic limitation isn't as big an issue as you might think. You can also add a chord generator to the FX chain to trigger chords: Even better it uses stock plugins, so good news for your cpu: I know I'm late to the party on this one, but Reaper will allow you to monophonically trigger vsti plugins with just your guitar and 1/4 cable. The parameters available on those pedals always seem to be pretty limited. I own some of these I was just wondering if anyone had done anything similar in software. That being said there's a bunch of Electro Harmonix pedals that seem to do a perfectly decent job of it - Micro Synth, Hog, Pog, Mel9. Yes I understand that a guitar signal isn't an ideal source for deriving pitch information from. If I wanted keyboard sounds from a guitar it might be a decent option. I have heard good reports on those Electro Harmonix working well with standard pickups too. One of those Roland units and hex pickup allows you to play any instrument with minimal latency. If I want synth sounds I own an actual mini moog.Ī hardware solution for synth sounds is still the best solution. I don't pay too much attention to midi because most of my music I recorded from instruments. ![]() Cant see it working very well in real time without allot of latency issues. Once converted to midi finding a virtual instrument would be easy. There is supposed to be a pretty decent analog to midi plugin available. When a regular pickup is used you tend to get many false triggers compared to using a midi pickup and hardware tor generate midi tones which can easily be used to trigger synth sounds. The pickups are not hex where each string is separate from each other and the signals are not pure sine waves. It is not a bass guitar but it is dam- close.There are limited things you can do with an analog signal from a guitar. A little EQ and it is perfect for covering a bass part at a gig. Yes, the POG and Micro POG deliver excellent (slightly brighter) bass. However, the combination of a Micro Pog and Octave multiplexer together would really be interesting. Really organic and metallic BUT it can also can be so musical. The Octave multiplexer is a deadly little pedal. The resultant harmonic ranges from clangourous/metalic to really pleasing harmonic sympathy. The output result comes from multiplying two signals. The POG is a polyphonic octave divider that works with fixed and set harmonic intervals. The POG cannot do the same thing as the Octave Multiplexer. If you use the pedal for gigs then the size is perfect. The size and power of the Micro Pog is tempting. The bass octave is a little fatter and you can detune the upper octaves for a slightly watered effect. I’m pretty sure that the pog can do the same stuff as the octave multiplexer and micro pog. I read somewhere that POG can do 2 octaves up and 1 down.Ĭan Octave Multiplexer go lower than 1 octave? Or would it be better to buy those two instead of POG? So Im asking, can POG do everything that Micro POG and Octave Multiplexer can? I thought about buying POG or Micro POG and maybe Octave Multiplexer. Im looking birthday present for my brother and I dont know much about effect pedals. Sorry I didnt want to start new topic, because I have a little bit same kind of question to ask. If you want envelope control, filter/resonance interaction and a very organic one oscilator type mono “keyboard synth” sound then it is the Microsynth. Whether monophonic or polyphonic does not really matter as they sound great. The Micro Pog is TIGHT and is a huge plus on the pedal board but it does not have the filter adjust switch or detune. I have had a POG since the very beginning and if you are looking for a more animated tone then this is the one. ![]() Many players in the 2009 music world do not even understand the technique and accuracy that accompanies the use of damping, serious accuracy that it takes to really be able to take advantage of the special sound that you can get. Both the Micro and Bass Micro are monophonic. ![]() Not the least being that the Micro Pog or Pog are polyphonic. This is an issue that can only be solved by playing both. for just those octave functions comparable between the two? any pros/cons? Question: is sound fidelity, tracking, stability etc. However, i’d use it primarily for the functionality of the micro POG. Been considering the microPOG has an acquisition, but was thinking that some of those features in the micro synth might be very applicable for what i do now and then. ![]()
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